Daiviki, Daivikī: 2 definitions
Introduction:
Daiviki means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: Nāṭya-śāstraDaivikī (दैविकी, “divine”) is a Sanskrit technical term used in plays and dramas (nāṭya), as explained in the Nāṭyaśāstra.
Source: archive.org: Natya ShastraDaivikī (दैविकी, “divine”).—The success (siddhi) in dramatic production (nāṭaka) which includes an excessive display of the sattva and expresses the psychological states (bhāva) clearly is to be taken by the spectators as divine (daivikī or daivī). When there is no noise, no disturbance, no unusual occurrence during the production of a play and the auditorium is full of spectators, the success called divine
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
See also (Relevant definitions)
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Full-text: Daivi, Celadana, Angulikshepa, Pravriddhanada, Kashta, Smita, Atihasya, Aho, Ardhahasa, Atihasa, Ardhahasya, Sadhu, Siddhi.
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Search found 3 books and stories containing Daiviki, Daivikī; (plurals include: Daivikis, Daivikīs). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Vyavaharamala: a text on Indian jurisprudence (by P. V. Rajee)
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Literary and dramatic elements in Nāṭyaśāstra < [Chapter 1 - Nāṭya]
Natyashastra (English) (by Bharata-muni)