Dialogue: 1 definition
Introduction:
Dialogue means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)Delivering Dialogues or Speech (in Indian dramas) is associated with Bhāratī-vṛtti: one of the denoted four kinds of Dramatic Styles (in Sanskrit: vṛtti), according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—There are four kinds of vṛttis i.e., dramatic styles accepted in the Viṣṇudharmottarapurāṇa. The way or style of delivering speech or dialogues in a Drama is regarded as bhāratī-vṛtti. The Sāhityadarpaṇa also agrees on it.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
See also (Relevant definitions)
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Full-text (+1487): Samvada, Samlapa, Prastavana, Vithyanga, Bhagavad-gita, Batacita, Baatchit, Kathopakathana, Vakopavaka, Samvad, Rudrayamala, Samlapaka, Kamthadana, Rudragita, Gherandasamhita, Karmavipakasamhita, Gottapatisarin, Speech, Ashtavakra Gita, Gurushishyasamvada.
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Search found 262 books and stories containing Dialogue, Dialogues; (plurals include: Dialogues, Dialogueses). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Puppetry in Assam (by Gitali Saikia)
Dialogue writing for puppetry < [Chapter 4]
Folk Theatre (d): Kushangan < [Chapter 6]
Folk Theatre (c): Khulia Bhaona < [Chapter 6]
Tilakamanjari of Dhanapala (study) (by Shri N. M. Kansara)
5. Speeches and Dialogues < [Chapter 16 - The Tilakamanjari as a Sanskrit novel]
3.1. The heroes (Nayaka) and their characteristics < [Chapter 15 - The Tilakamanjari as a Prose Poetic work]
7. Dhanapala’s relation with Bhoja < [Chapter 1 - The Author (biography of Dhanapala)]
Oppositional Strategies in Shina Radio Dialogues from Gilgit < [Volume 71 (2010)]
The earliest known list of games: Some comments < [Volume 23 (1958)]
Syllabo-Segmental Structure of Šin Verses in Balkan Tatar Folklore < [Volume 32 (1970)]
Archives of Social Sciences of Religions
Secret Dialogues: Torture and Social Justice in Authoritarian Brazil < [Volume 122 (2003)]
The Islamic-Christian Cedar: Lebanese Seeking National Unity < [Volume 144 (2008)]
Religion Studies in Brazil: Insights and Observations < [Volume 47-1 (1979)]
Brahma Sutras (Nimbarka commentary) (by Roma Bose)
Brahma-Sūtra 3.3.10 < [Adhikaraṇa 3 - Sūtra 10]
Brahma-Sūtra 2.4.10 < [Adhikaraṇa 5 - Sūtras 9-12]
Brahma-Sūtra 4.2.9 < [Adhikaraṇa 5 - Sūtras 7-13]
Prasthanatrayi Swaminarayan Bhashyam (Study) (by Sadhu Gyanananddas)
3. Vedic Darśana Tradition and the Prasthānatrayī Śāstras < [Chapter 1 - Introduction]
4.8. Basic Philosophy of Svāminārāyaṇa < [Chapter 1 - Introduction]
4.4h. The Most Authentic Scripture—The Vacanāmṛta < [Chapter 2 - Analysis on the Basis Of Epistemology]
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