Differentiation: 1 definition
Introduction:
Differentiation means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Shilpashastra (iconography)
Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (shilpa)Differentiation of colours (in a painting) is denoted by the Sanskrit term Varṇikābhaṅga, which represents one of the six limbs of Painting (citra), according to the Kāmasūtra and Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—The last kind of limbs of Painting called varṇikābhaṅga is related to the colour differentiation of a Painting. In the Viṣṇudharmottarapurāṇa a detail discussion on the proper implementation of colours, narration on primary colours, different shades of colours are also found.
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
See also (Relevant definitions)
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Full-text (+89): Bheda, Vibhedikarana, Vibhedikaran, Vyavartana, Avakalana, Vyavartan, Parthakya, Paccupalakkhana, Prithakatva, Avkalan, Prithaktva, Nirvikarpam, Vyavritti, Vibhajana, Bhed, Parthky, Vibheda, Sadashivatattva, Vishishtabuddhi, Samagol.
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Search found 190 books and stories containing Differentiation; (plurals include: Differentiations). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Taittiriya Upanishad Bhashya Vartika (by R. Balasubramanian)
Verse 2.397 < [Book 2 - Brahmavallī]
Verse 2.77 < [Book 2 - Brahmavallī]
Verse 2.374 < [Book 2 - Brahmavallī]
Vakyapadiya of Bhartrihari (by K. A. Subramania Iyer)
Verse 1.130 < [Book 1 - Brahma-kāṇḍa (or Āgama-samuccaya)]
Verse 3.9.65-67 < [Book 3 - Pada-kāṇḍa (9): Kāla-samuddeśa (On Time)]
Verse 3.3.72 < [Book 3 - Pada-kāṇḍa (3): Sambandha-samuddeśa (On Relation)]
A History of Indian Philosophy Volume 1 (by Surendranath Dasgupta)
Part 14 - The Tanmātras and the Paramāṇus < [Chapter VII - The Kapila and the Pātañjala Sāṃkhya (yoga)]
Part 13 - Mahat and Ahaṃkāra < [Chapter VII - The Kapila and the Pātañjala Sāṃkhya (yoga)]
Part 11 - Prakṛti and its Evolution < [Chapter VII - The Kapila and the Pātañjala Sāṃkhya (yoga)]
A Manual of Khshnoom (by Phiroz Nasarvanji Tavaria)
Idol Worship in Hindu Religion < [April – June, 2006]
Gleanings < [January 1937]
The One and The Many < [April 1957]
Jnaneshwari (Bhavartha Dipika) (by Ramchandra Keshav Bhagwat)
Verse 3.28 < [Chapter 3 - Karma-yoga]
Verse 14.22 < [Chapter 14 - Gunatraya-vibhaga-yoga]
Verse 12.18-19 < [Chapter 12 - Bhakti-yoga]