In Hinduism

Natyashastra (theatrics and dramaturgy)

Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)

Lalitahasta (ललितहस्त) or simply Lalita refers to one of the thirty Nṛttahastas or “dance hand gestures” (in Indian Dramas), according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—The hasta-mudrās (lit. “hand-gestures”) are very essential to denote some particular action or state in dancing and these mudrās are formed with the help of hands and fingers. In the Viṣṇudharmottarapurāṇa, thirty kinds of nṛttahastas (“dance-hand gestures”) are mentioned. e.g., lalitahasta. The practice of these nṛttahastas is strictly prohibited in sickness of body, in old age, in fear, drunk and anxiety.

context information

Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).

See also (Relevant definitions)

Partial matches: Lalita, Hasta.

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Search found 1 books and stories containing Lalitahasta, Lalita-hasta; (plurals include: Lalitahastas, hastas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:

Gati in Theory and Practice (by Dr. Sujatha Mohan)

Gati in classical dance form of Oḍissi < [Chapter 4 - Practice of Gati]

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