Natyadharmi, Natya-dharmi, Nāṭyadharmī: 4 definitions
Introduction:
Natyadharmi means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: Nāṭya-śāstraNāṭyadharmī (नाट्यधर्मी, “conventional practice”) is a Sanskrit word referring to the “conventional/symbolic mode of dramatic representation”, which follows theatrical modes, according to the Nāṭyaśāstra verse 14.61. It is one of the two kinds of dramatic representation, also called dharmī, or dharmin.
Source: archive.org: Natya ShastraNāṭyadharmī (“conventional”) is a devision of the technical practice of the production of a play—If a play modifies a traditional story, introduces supernatural powers, disregards the usual practice about the use of languages, and requires acting with graceful Aṅgahāras, and possesses characteristics of dance, and requires conventional enunciation and is dependent on a heavenly scene and heaven-born males, it is to be known as Conventional (nāṭyadharmī).
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Languages of India and abroad
Sanskrit dictionary
Source: DDSA: The practical Sanskrit-English dictionaryNāṭyadharmī (नाट्यधर्मी).—the rules of dramatic representation.
Nāṭyadharmī is a Sanskrit compound consisting of the terms nāṭya and dharmī (धर्मी). See also (synonyms): nāṭyadharmikā.
Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English DictionaryNāṭyadharmī (नाट्यधर्मी):—[=nāṭya-dharmī] [from nāṭya > nāṭa] f. the ruler of dramatic representation, [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Partial matches: Natya, Dharmi.
Starts with: Natyadharmika.
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Full-text: Natyadharmika, Dharmi.
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Search found 7 books and stories containing Natyadharmi, Natya-dharmi, Nāṭya-dharmī, Nāṭyadharmī; (plurals include: Natyadharmis, dharmis, dharmīs, Nāṭyadharmīs). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Gati performed as Lokadharmī and Nāṭyadharmī < [Chapter 3 - Application of gati in Dṛśya-kāvyas]
Literary and dramatic elements in Nāṭyaśāstra < [Chapter 1 - Nāṭya]
Chapterisation—Thesis structure < [Introduction]
Hastalaksanadipika a critical edition and study (by E. K. Sudha)
5. School of acting in general < [Chapter 2 - Bharata’s Dramaturgy]
10. Lokadharmi and Natyadharmi < [Chapter 2 - Bharata’s Dramaturgy]
9. Structure of the Natyashastra < [Chapter 2 - Bharata’s Dramaturgy]
Natyashastra (English) (by Bharata-muni)
Chapter XIV - Zones (kakṣyā) and Local Usages (pravṛtti)
Chapter VI - Sentiments (rasa)
Puppetry in Assam (by Gitali Saikia)
Characteristics of Folk drama < [Chapter 1]
When Stones Dance < [January – March 1992]
The Concept of Sahrdaya < [January – March, 2008]
Kathakali, and Other Forms of Bharata Natya < [September-October 1933]
Arts in the Puranas (study) (by Meena Devadatta Jeste)
2. The Art of Dance in the Vishnudharmottara < [Chapter 2 - Dance in the Puranas]