Odious: 3 definitions
Introduction:
Odious means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Gitashastra (science of music)
Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (gita)The Odious Sentiment (in Sanskrit: bībhatsa-rasa) refers to one of the nine kinds of Sentiment (rasa) in Indian classical Music. They have an inherent relationship with the svaras (“musical notes”).—There are nine kinds of sentiments: [e.g., Odious (bībhatsa)]. In the Nāṭyaśāstra some particular svaras are determined for the delineation of some specific sentiments. In the Nāṭyaśāstra it is accepted that—the note dhaivata is used to delineate the sentiments of bībhatsa and bhayānaka.
Gitashastra (गीतशास्त्र, gītaśāstra) refers to the ancient Indian science of Music (gita or samgita), which is traditionally divided in Vocal music, Instrumental music and Dance (under the jurisdiction of music). The different elements and technical terms are explained in a wide range of (often Sanskrit) literature.
Natyashastra (theatrics and dramaturgy)
Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)The Odious Sentiment is denoted by the Sanskrit term Bībhatsa, which represents one of the nine kinds of Rasa (“soul of Drama”), according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—According to the Viṣṇudharmottarapurāṇa, the sentiment of bībhatsa arises from jugupsā i.e., disgusting sight and it is showed by shaking of nose. The Nāṭyaśāstra agrees on it and accepts jugupsā as the sthāyibhāva of bībhatsarasa (the odious sentiment).
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Shilpashastra (iconography)
Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (shilpa)The Odious (sentiment) refers to one of the Nine Sentiments (citrarasa) in ancient Indian Painting (citra), according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—Painting is a medium of showing the inner feelings and emotions of a painter which can strikes the inherent sentiments of connoisseur’s mind [e.g., the odious sentiment (bībhatsa)]. [...] The bībhatsarasa is reflected through the Painting having places like burial site or having the terrible scene of killing.
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
See also (Relevant definitions)
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Full-text (+18): Vidvishta, Dessa, Bibhatsa, Dvishta, Bibhatsarasa, Dveshya, Viruddha, Dessiya, Ghinauna, Vidveshya, Amitra, Apradveshya, Asheva, Sampraveshana, Adhastalim, Khya, Rasa, Dvis, Apratirupa, Arabhati.
Relevant text
Search found 41 books and stories containing Odious; (plurals include: Odiouses). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Part 9 - Sentiments (rasa) used in a Utsṛṣṭikāṅka < [Chapter 8 - Utsṛṣṭikāṅka (critical study)]
Part 8 - Styles (vṛtti) of the Utsṛṣṭikāṅka < [Chapter 8 - Utsṛṣṭikāṅka (critical study)]
Part 8 - Style (Vṛtti) in the Vīthī < [Chapter 7 - Vīthī (critical study)]
Natyashastra (English) (by Bharata-muni)
Chapter VI - Sentiments (rasa)
Chapter XIX - Modes of Address (nāman) and Intonation (kāku)
Malatimadhava (study) (by Jintu Moni Dutta)
Part 1.2 - Types of Rasa < [Chapter 2 - Literary Study of the Mālatīmādhava]
Part 1.3f - Bībhatsa Rasa (The Odious Sentiment): < [Chapter 2 - Literary Study of the Mālatīmādhava]
Rig Veda (translation and commentary) (by H. H. Wilson)
Kavyamimamsa of Rajasekhara (Study) (by Debabrata Barai)
Part 5.7 - Incidental disadvantages of Kavi (poet) for writing Poetry < [Chapter 5 - Analyasis and Interpretations of the Kāvyamīmāṃsā]
Bihar and Eastern Uttar Pradesh (early history) (by Prakash Narayan)
The different types of Entertainers < [Chapter 2 - Economic and Urban Processes]