Shuddhanritta, Shuddha-nritta, Śuddhanṛtta: 1 definition
Introduction:
Shuddhanritta means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term Śuddhanṛtta can be transliterated into English as Suddhanrtta or Shuddhanritta, using the IAST transliteration scheme (?).
In Hinduism
Shaivism (Shaiva philosophy)
Source: Shodhganga: Temple management in the ĀgamasŚuddhanṛtta (शुद्धनृत्त) or Nṛtta refers to “Saukhya karma” (classical dance) and represents one of the various upacāras (offerings), in pūjā (ritual worship), as defined in the Śaivāgamas.—Pūjā consists of offering hospitality, in the form of water to wash the feet, to drink, water for ablutions, offering a bath, new clothes, fragrant unguents, fragrant flowers and ornaments, food and so on. Each step in the pūjā process is called “saṃskāra” and each offering is called “upacāra” [viz., Śuddhanṛtta].
Shaiva (शैव, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
See also (Relevant definitions)
Partial matches: Shuddha, Nritta.
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Full-text: Mauravika, Nritta, Mardaka, Gayaka, Shuddha, Vamshika, Mishra, Rudraganika, Samkirna, Shuddhapuja, Mishrapuja, Sankirnapuja, Nartaka, Rudrakanya, Pancacarya, Upacara, Puja.
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Search found 3 books and stories containing Shuddhanritta, Shuddha-nritta, Śuddha-nṛtta, Suddha-nrtta, Śuddhanṛtta, Suddhanrtta; (plurals include: Shuddhanrittas, nrittas, nṛttas, nrttas, Śuddhanṛttas, Suddhanrttas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Analysis of technical terms: Nāṭya, Nṛtta, Nṛtya < [Chapter 1 - Nāṭya]
Gati in Sattriya < [Chapter 4 - Practice of Gati]
Hastalaksanadipika a critical edition and study (by E. K. Sudha)
11. The built up Sequence in Stage business < [Chapter 2 - Bharata’s Dramaturgy]
3. Concept of Abhinaya in general < [Chapter 1 - Introduction]
The Religion and Philosophy of Tevaram (Thevaram) (by M. A. Dorai Rangaswamy)
Chapter 4.3 - (d) Technical terms used by Arurar in relation to Dance and Music < [Volume 2 - Nampi Arurar and Mythology]